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Best of Irish Poetry 2009
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Jewtown

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(Name of Press, 2016)

ISBN: xxx-x-xxxxx-xx-x

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In an article published in last Christmas Eve’s edition of the Irish Times, Fintan O’Toole selected work by a diverse group of artists to illustrate the ways in which 2011 may be described as a "year of haunting and ghosts in Irish art". In relation to visual art, Anthony Haughey’s Settlement project was presented by O’Toole as one of the most potent works to engage with what he calls "the liminal spaces at the edges of towns and cities" to be produced in the year. Patricia Burns’s Hinterland: the Glen Paintings was also signalled for attention. Turning to poetry, O’Toole’s article concluded with a note on Derek Mahon’s New Collected Poems. Of particular interest to O’Toole was what he called the "prescience" of certain lines in Mahon’s poem ‘America Deserta’, from section 16 of his long poem Decadence (previously published in 1997 as The Yellow Book). Here Mahon describes the "long decline" of "the great money scam" that lead "to pot-holed roads and unfinished construction sites", an image that seems analogous to the depictions of post-Celtic Tiger social decay represented so poignantly in the work of Burns and Haughey. Mahon’s poem, however, begins with an epigraph from the writings of Zelda Fitzgerald, which suggests that it has an earlier twentieth-century context very much in its sights. ‘America Deserta’ also reflects on "the death of the boom", to use a phrase the American poet John Berryman coined when writing about another

 

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